Nietzsche, Wagner, kompozicijski miniaturizem
نویسندگان
چکیده
Nove oblikoslovne rešitve (ali manko le-teh), ki jih je prinesla reforma opere v glasbeno dramo, burijo duhove že od samega nastanka zrelih Wagnerjevih del (Nibelungov prstan, Tristan in Izolda, Mojstri pevci nürnberški, Parsifal). Najbolj slavno formulacijo očitka dozdevne skladateljeve pomanjkljive veščine obvladovanja velikih form artikuliral Friedrich Nietzsche, Primeru Wagner poda diagnozo miniaturizma kot glavne kompozicijske značilnosti ali pa kar splošnega simptoma Wagnerjevega dekadentnega sloga. V prispevku se bomo s pomočjo analiz, najdemo zajetni študiji muzikologa Karola Bergerja, ozrli na zgodovinski kontekst te pripombe, pretehtali njeno splošno ustreznost ter nazadnje osvetlili pot zagate umetnika filozofa, drugi polovici 19. stoletja vsak svoj način iščeta nova bežišča po zatonu razsvetljenske vere moč razuma.
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ژورنال
عنوان ژورنال: Filozofski Vestnik
سال: 2021
ISSN: ['1581-1239', '0353-4510']
DOI: https://doi.org/10.3986/fv.42.3.05